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Medieval Literature: The Basics
Medieval Literature: The Basics is an engaging introduction to this fascinating body of literature.The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers.It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience.The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels.From Dante and Chaucer to Christine de Pisan, this book deals with questions such as:What is medieval literature?What are some of the key topics and genres of medieval literature?How did it evolve as technology, such as the printing press, developed?How has it remained relevant in the twenty-first century?Medieval Literature: The Basics is an ideal introduction for students coming to the subject for the first time, while also acting as a springboard from which deeper interaction with medieval literature can be developed.
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The Medieval British Literature Handbook
This is an one-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research."The Medieval British Literature Handbook" is an accessible and comprehensive introduction to literature and culture in the middle ages, focusing particularly on Middle English and the period from 1300-1500.It offers a one-stop resource for students with the essential information and guidance needed at the beginning of a course through to developing more advanced knowledge and skills.It includes: introductions to authors, texts and contexts; guides to key critics, concepts and topics; an overview of major critical approaches, changes in the canon and directions of current and future research; case studies in reading primary and secondary texts; and annotated further reading (including websites), timeline and a glossary of critical terms.Written in clear language by leading academics, it is an indispensable starting point for anyone beginning their study of medieval literature."Literature and Culture Handbooks" are an innovative series of guides to major periods, topics and authors in British and American literature and culture.Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills.
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Dragons : Meet the Legendary Monsters of Mythology
An epic guide to the history and mythology of dragons from around the world for fantasy-mad kids by medieval historian Dr Cait Stevenson. For thousands of years humans have feared or revered dragons, be they winged fire-breathing monsters from Europe or slithering water gods from Asia.In this book, featuring beautiful illustrations courtesy of Cinthya Alvarez, readers will be charmed by ancient myths and learn about the cultures that gave birth to these legendary monsters.Includes the stories of: Fáfnir, a dragon from Norse mythology whose greed gets the better of him The female dragon-slayer from the Arabic folktales One Thousand and One Nights Apophis, the dragon god of ancient Egyptian myth who stalks the underworldReaders will also learn about the link between dragons and dinosaurs, meet real-life dragons such as Komodo dragons and bearded dragons, study dragon constellations, encounter the dragons of J.R. R. Tolkien’s Middle Earth, and wonder at the popularity of games such as Dungeons & Dragons. It’s everything kids who love dragons could ever want to know!
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Studies in Medieval and Renaissance Literature
C. S. Lewis's Studies in Medieval and Renaissance Literature is a collection of fourteen fascinating essays, half of which were never published in Lewis's lifetime.The first three provide a general introduction to medieval literature whilst the remaining essays turn to the works of major writers such as Dante (The Divine Comedy), Malory (Le Morte d'Arthur), Spenser (The Faerie Queene) and Milton (Comus).Lewis's insightful yet accessible writing will captivate anyone with an interest in medieval and Renaissance literature.
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Would fire-breathing dragons be biologically possible?
No, fire-breathing dragons would not be biologically possible. The ability to breathe fire would require a biological mechanism to produce and expel a flammable substance, as well as a way to ignite it. There are no known biological systems that could accomplish this, and the energy required to produce and expel fire would be impractical for a living organism. Additionally, the heat and pressure from breathing fire would likely be harmful to the dragon's own body. Therefore, fire-breathing dragons are purely a product of mythology and fiction.
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What is the significance of red gold in medieval literature?
In medieval literature, red gold is often used as a symbol of wealth, power, and status. It is frequently associated with royalty, nobility, and the divine. The color red is often linked to passion, love, and blood, adding to the significance of red gold in medieval literature. It is often used to describe precious objects, such as crowns, jewelry, and other valuable items, highlighting their importance and the social hierarchy of the time. Overall, red gold in medieval literature serves as a powerful symbol of wealth, status, and the divine.
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Is Russian literature better than German literature?
As an AI language model, I don't have personal opinions. The quality of literature is subjective and depends on individual preferences. Both Russian and German literature have produced influential and impactful works that have made significant contributions to world literature. Russian literature is known for its depth of psychological insight and emotional intensity, while German literature is celebrated for its philosophical and intellectual depth. Ultimately, the value of literature is in the eye of the beholder.
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Is rubble literature the same as post-war literature?
Rubble literature and post-war literature are closely related but not exactly the same. Rubble literature specifically refers to the literary works produced in the immediate aftermath of World War II, often focusing on the physical and emotional devastation caused by the war. Post-war literature, on the other hand, encompasses a broader range of literary works that address the effects of war on society, culture, and individuals in the years following the conflict. While rubble literature is a subset of post-war literature, the latter includes a wider scope of themes and time periods beyond the immediate aftermath of war.
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Mystical Landscapes in Medieval Persian Literature
In this collection, Fatemeh Keshavarz and Ahmet T. Karamustafa bring together leading researchers from comparative literature, history, literary criticism and religious studies to explore the major authors and genres of medieval Persian mystical literature.Breaking out of the all-inclusive literary history framework, the contributors write on topics that have energised their scholarship over time and address areas where the literary and the mystical have mingled and led to paradigmatic creations.How can you interpret the climactic conclusion to the framing narrative of The Speech of the Birds of 'Attar of Nishapur?How did 'Aziz Nasafi understand the concept of religion?What do Rumi's conversations with the Divine tell us about his teachings and his poetry?How do medieval Persian Sufi commentators add to our understanding the Qur'an?How can we utilise Sufi manuals, life stories and utterances?All of these explorations and more bring the depth and eloquence of Persian mystical literature to life in this volume.
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Medieval Literature : A Very Short Introduction
This Very Short Introduction provides a compelling account of the emergence of the earliest literature in Britain and Ireland, including English, Welsh, Scottish, Irish, Anglo-Latin and Anglo-Norman.Introducing the reader to some of the greatest poetry, prose and drama ever written, Elaine Treharne discusses the historical and intellectual background to these works, and considers the physical production of the manuscripts and the earliest beginnings of print culture.Covering both well-known texts, such as Beowulf, The Canterbury Tales and the Mabinogion, as well as texts that are much less familiar, such as sermons, saints' lives, lyrics and histories, Treharne discusses major themes such as sin and salvation, kingship and authority, myth and the monstrous, and provides a full, but brief, account of one of the major periods in literary history. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area.These pocket-sized books are the perfect way to get ahead in a new subject quickly.Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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Classical Mythology in English Literature : A Critical Anthology
Classical Mythology in English Literature brings together a range of English versions of three classical myths.It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history.Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories:* Orpheus, the great musician and his quest to free his wife Eurydice from death* Venus and Adonis, the love goddess and the beautiful youth she loved* Pygmalion, the master sculptor who fell in love with his creation. Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins
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The Figure of Minerva in Medieval Literature
First major study of the representation of Minerva in the Middle Ages, giving insights into classical reception. Images of Minerva, the Roman goddess of wisdom, appear frequently in medieval literature, derived from antique culture and literature; redemptress, mistress of the liberal arts, patroness of princes, idol, and Venus' ally.Throughout the high to late Middle Ages, Peter Abelard, Guido delle Colonne, John Gower, Geoffrey Chaucer, and Christine de Pizan, among others, drew on and developed these images, but they are particularly prevalent in a number of fifteenth- and early sixteenth-century English and Scots allegorical and dream-vision poems, including John Lydgate's Reson and Sensuallyte and Temple of Glas, the anonymous Court of Sapience and Assembly of Gods, James I's Kingis Quair, Charles d'Orleans' Fortunes Stabilnes, and William Dunbar's Golden Targe. This book offers the first full-length examination of these depictions, bringing out the receptionof classical culture.Via close readings of the various poets, it enables us to understand how her figure was used, and also, and most importantly, to interpret and transform the poetic and cultural traditions from which she springs. WILLIAM F. HODAPP is Professor of English and Coordinator of Medieval and Renaissance Studies at The College of St.Scholastica, Duluth, Minnesota.
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Is 20th-century literature the same as modern literature?
While 20th-century literature is a part of modern literature, they are not exactly the same. Modern literature encompasses literary works from the late 19th century to the present day, including 20th-century literature. However, 20th-century literature specifically refers to literary works produced between 1900 and 1999. Both periods share some common themes and styles, but they also have distinct characteristics that set them apart.
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Literature or music?
It ultimately depends on personal preference and what one finds more fulfilling. Literature can transport readers to different worlds, evoke emotions, and provoke thought through words and storytelling. On the other hand, music has the power to evoke emotions, create connections, and express feelings through melody and lyrics. Both forms of art have the ability to inspire, entertain, and provide a means of self-expression.
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What is literature?
Literature is a form of written or spoken art that expresses ideas, emotions, and experiences through language. It encompasses a wide range of genres, including poetry, fiction, drama, and non-fiction. Literature allows us to explore different perspectives, cultures, and time periods, and it often reflects the human condition and universal themes. Through literature, we can gain insight into the complexities of the world and the human experience.
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'World Literature Novels'
World literature novels are literary works that have been translated from their original language into multiple languages and have gained recognition and popularity across different cultures and countries. These novels often explore universal themes and human experiences that resonate with readers from diverse backgrounds. They provide a window into different cultures, societies, and historical periods, offering readers the opportunity to gain a deeper understanding of the world. World literature novels also contribute to the enrichment and diversity of literary traditions by showcasing the unique voices and perspectives of authors from around the globe.
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