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  • Theology, Fantasy, and the Imagination
    Theology, Fantasy, and the Imagination

    Theology, Fantasy, and the Imagination is an edited collection at the intersection of theology, religion, and philosophy and fantasy literature and table-top games.The volume begins with an invocation of the “old magic” of pre-modern theology and follows with analyses of classical Christian fantasy.The second section articulates a “post-Christian” turn in fantasy since the late twentieth century, arguing how fantasy can serve to re-enchant the imagination in ways that moves beyond traditional Christianity.The last section on fantasy at play explores how religion is at play in Dungeons and Dragons and in Magic: the Gathering.

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  • Dragons : Meet the Legendary Monsters of Mythology
    Dragons : Meet the Legendary Monsters of Mythology

    An epic guide to the history and mythology of dragons from around the world for fantasy-mad kids by medieval historian Dr Cait Stevenson. For thousands of years humans have feared or revered dragons, be they winged fire-breathing monsters from Europe or slithering water gods from Asia.In this book, featuring beautiful illustrations courtesy of Cinthya Alvarez, readers will be charmed by ancient myths and learn about the cultures that gave birth to these legendary monsters.Includes the stories of: Fáfnir, a dragon from Norse mythology whose greed gets the better of him The female dragon-slayer from the Arabic folktales One Thousand and One Nights Apophis, the dragon god of ancient Egyptian myth who stalks the underworldReaders will also learn about the link between dragons and dinosaurs, meet real-life dragons such as Komodo dragons and bearded dragons, study dragon constellations, encounter the dragons of J.R. R. Tolkien’s Middle Earth, and wonder at the popularity of games such as Dungeons & Dragons. It’s everything kids who love dragons could ever want to know!

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  • Imagination (Wonder & Imagination) Unlined Hardcover Journal
    Imagination (Wonder & Imagination) Unlined Hardcover Journal

    The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”

    Price: 18.99 £ | Shipping*: 3.99 £
  • Imagination!
    Imagination!


    Price: 17.49 £ | Shipping*: 3.99 £
  • Fantasy or imagination?

    Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.

  • I need your imagination for mythical creatures.

    Sure! When imagining mythical creatures, think about combining different features from existing animals or creating entirely new characteristics. Consider the environment they would live in, their behavior, and any special abilities they might possess. Let your creativity run wild and don't be afraid to come up with unique and fantastical creatures that defy logic and reality.

  • What is the difference between imagination and fantasy?

    Imagination involves the ability to create mental images, ideas, and concepts that are not necessarily based on reality, but are still grounded in some level of possibility. On the other hand, fantasy is more about creating elaborate and unrealistic scenarios that are often far-fetched and detached from reality. Imagination can be a tool for problem-solving, creativity, and innovation, while fantasy is more about escapism and entertainment.

  • What is the difference between imagination, fancy, and fantasy?

    Imagination is the ability to form mental images, ideas, and concepts that are not present in reality. It involves the creative and constructive use of the mind to generate new and original thoughts. Fancy, on the other hand, refers to the whimsical and playful aspect of imagination, often involving elaborate or unrealistic ideas. It is more focused on the decorative and ornamental aspects of imagination. Fantasy, however, involves the creation of entirely new worlds, characters, and events that are often removed from reality and can include elements of magic, supernatural beings, and other fantastical elements. It is a more extreme and exaggerated form of imagination, often used in literature and storytelling.

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  • Fantasy : Invention, Creativity, and Imagination in Visual Communications
    Fantasy : Invention, Creativity, and Imagination in Visual Communications

    The first-ever English translation of Bruno Munari’s classic treatise on creativity, replete with new contextualizing annotations “But isn’t imagination also fantasy? And can’t fantastic images also assume the form of sounds?Musicians speak of sonic images, sound objects. How does one invent a fish tale, an air-cooled engine, a new plastic? ... fantasy, invention, creativity think; imagination sees.”Never before translated into English, Bruno Munari’s Fantasy, originally published in Italian in 1977, invites the reader to explore their own imagination, creativity and fantasy through a journey into Munari’s mind and work.His theory of creativity, developed in conversation with the Reggio Emilia Approach (a self-guided approach to education) and the work of Jean Piaget (a Swiss developmental psychologist who proffered a theory termed “genetic epistemology”) foregrounds the book’s journey through Munari’s design processes, both working for clients and teaching design principles to children.By turning both life and work into a classroom, Munari unlocks a path through imagination in order to access his, and in turn the reader’s, deepest sense of play. The facsimile reprint is accompanied by new contextual annotations by Munari scholar and design historian Jeffrey Schnapp.These microinterventions highlight the innovations that make this work as relevant today as when originally published.Bruno Munari (1907–98) was an Italian artist, designer and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in Modernism, Futurism and Concrete art, as well as to nonvisual arts (literature, poetry) through his research on games, didactic method, movement, tactile learning, kinesthetic learning and creativity.

    Price: 19.99 £ | Shipping*: 3.99 £
  • Explaining Imagination
    Explaining Imagination

    This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.

    Price: 25.00 £ | Shipping*: 3.99 £
  • Criminological Imagination
    Criminological Imagination

    For the last three decades Jock Young's work has had a profound impact on criminology.In this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today.His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology.A late-modern counterpart to C. Wright Mills' classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention.The concluding part of the author's trilogy of influential texts including The Vertigo of Late Modernity and The Exclusive Society, it will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.

    Price: 18.99 £ | Shipping*: 3.99 £
  • Eva's Imagination
    Eva's Imagination

    Eva doesn't know what an imagination is. With the help of her dog, Chops, Eva goes on a hunt to find it.A delightful story about the power of imagination.

    Price: 6.99 £ | Shipping*: 3.99 £
  • How many legs do European dragons have in your imagination?

    In my imagination, European dragons typically have four legs. This is a common depiction in European folklore and mythology, as well as in popular culture such as literature, movies, and art. The four-legged dragon is often seen as a powerful and majestic creature, with each leg symbolizing strength and stability. This image of the European dragon with four legs has become iconic and is widely recognized in Western culture.

  • Would fire-breathing dragons be biologically possible?

    No, fire-breathing dragons would not be biologically possible. The ability to breathe fire would require a biological mechanism to produce and expel a flammable substance, as well as a way to ignite it. There are no known biological systems that could accomplish this, and the energy required to produce and expel fire would be impractical for a living organism. Additionally, the heat and pressure from breathing fire would likely be harmful to the dragon's own body. Therefore, fire-breathing dragons are purely a product of mythology and fiction.

  • Do I have difficulty breathing or is it just my imagination?

    If you are experiencing difficulty breathing, it is important to take it seriously and seek medical attention. Difficulty breathing can be a sign of a serious medical condition such as asthma, pneumonia, or even a heart attack. It is always better to err on the side of caution and consult a healthcare professional if you are concerned about your breathing. Trust your instincts and prioritize your health and well-being.

  • Am I having difficulty breathing or is it just my imagination?

    If you are questioning whether you are having difficulty breathing, it is important to pay attention to your body and any symptoms you may be experiencing. Difficulty breathing can be a serious issue and should not be ignored. If you are feeling short of breath, it is best to seek medical attention to determine the cause and receive appropriate treatment. Trust your instincts and prioritize your health and well-being.

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